(Also published on Diggit Magazine)
Alexandria Ocasio-Cortez was elected to the US House of Representatives during the tumultuous midterm elections of late 2018. Running for the Democrats in the 14th District of New York – including the Bronx and part of Queens – she won a landslide, crushing her Republican opponent with 78% of the vote. Born in 1989, Ocasio-Cortez became the youngest female Congresswoman ever. And not only that: she became a digital media phenomenon of global scope.
From Alexandria Ocasio-Cortez to AOC
The point of departure for what follows is that Alexandria Ocasio-Cortez is a highly unlikely candidate for such instant political stardom. Born in the Bronx as the daughter of lower middle-class Puertorican parents, submitting a CV in which academic brilliance is blended with activism and with menial jobs as bartender and waitress, and – more than anything else – proudly proclaiming unambiguously socialist principles: this is not the stuff that dreams are made of in the contemporary world of high office in the US. Alexandria Ocasio-Cortez is clearly an outsider.
But here is the thing: during her campaign and even more after her election, the image of the outsider was and is consistently, and quite brilliantly, used in her favor. This image became the umami ingredient in terrifically designed and effective social media campaigns creating waves of viral popularity for which only Mr Trump himself provided a precedent. But with a difference: whereas the social media campaigns of Trump and others were overwhelmingly financed by corporate donors, Ocasio-Cortez’s campaign funding was drawn from civil society and individual sources – her top donor is Columbia University and in the list of industrial sectors providing funding, the category of “others” (read: people who cannot be associated with an industrial sector) largely leads the pack. Crowdsourcing and volunteers provided the basis for Ocasio-Cortez’s enormous exposure and visibility during and after the campaign.
Ocasio-Cortez’s campaign used all social media platforms – there is nothing exceptional to that. However, there is again a difference worth noting. Her campaign YouTube channel looks dismal with its 7.800 subscribers; the one million friends and followers of her Facebook page are a crowd commanding some more respect. But things get more impressive. Her main Twitter account (user name @AOC) is followed by about 2,5 million people, and – most remarkable of all figures – the official Ocasio-Cortez Instagram account counts 1,9 million followers, which places her nicely into the league of global entertainment and sports stars (many of whom follow her account). Posts there get hundreds of thousands of likes and tons of comments.
In fact, it is through her intense usage of Instagram as a strategic mass-communicative device that Ocasio-Cortez stands out and innovates political digital culture. While the Twitter account is dominated by largely political updates, it is on Instagram that Ocasio-Cortez merges the roles of politician and popcult influencer. And it is there that we see the smart and carefully curated visual display of someone at once glamorous and plebeian, wearing designer fashion and Walmart, young and mature, sophisticated and plain, model and politician, frivolous and professional. All of these dimensions are picked up by followers and eagerly commented on, as we can see below. While the Twitter account is the brain, the Instagram account is the heart of Ocasio-Cortez’s communication strategy. And it’s a massive success.
The effectiveness of the strategy becomes clear when we look at a detail: the fact that her name has become a media and public opinion acronym. AOC rapidly became, like FDR and JFK before her, the shorthand name used by supporters and opponents alike to talk about the unlikely candidate from New York’s District 14. Its effectiveness also becomes clear when we look at another phenomenon: the amount and intensity of media aggression directed at AOC. Ocasio-Cortez has become the target of daily avalanches of media criticism from her opponents. And in the same way as with Donald Trump in 2016, this negative exposure turns her into an even greater icon and creates a veritable brand, called AOC.
This brand label, incidentally, can be read on any bottle of French wine or on French cheese, where it stands for Appelation d’Origine Contrôlée and flags the authenticity of the origin of the product, along with its exclusive qualities and flavors. There is no end to the creative associative wordplay and innuendo that can be performed through the use of “AOC”, and the main indexical vector of “AOC” – let’s not forget – is positive.
AOC is on message
AOC is the outsider in Washington DC: this was the central theme in her campaign, it was the message. The message was constructed in two ways. One, by emphasizing her humble origins and her very modest material circumstances in self-presentations such as the central YouTube campaign clip. And two, by responses to opponents attacking her for being “out of place” in the world of high politics.
To start with the first, the campaign clip (viewed about 800.000 times) opens with a shot of AOC in a plain bathroom getting ready for a public appearance, accompanied by the statement “I wasn’t born to a wealthy or powerful family”. The frame is clear: the “normal” profiles of people running for high office in the US include such wealthy and powerful family backgrounds. AOC pictures herself, right from the start, as an outsider. But the title of the clip is The Courage to Change, and here is the full message: by running for office, AOC displays the courage to change the political system. It is exactly by being an outsider that she will be an agent of change – it is because I don’t belong here that I must be here. We hear an echo here again – be it an echo from within an entirely different socio-economic corner of society – of Mr. Trump’s central campaign message. Only outsiders can “drain the swamp” on The Hill.
The message, evidently, is powerful. And Ocasio-Cortez hammers it home relentlessly, by posting pictures on Instagram featuring other outsiders – her newly elected female peers in Congress (especially the Muslima Ilhan Omar, as in the Intagram post above), members of ethnic and Native American minorities, ordinary folk, suffering people.
And it is played out in virtuoso ways whenever Ocasio-Cortez comes under fire from opponents claiming that she is the wrong person for Congress. When in early January 2019 critics “unearthed” a ten-year old video of AOC, a student then, dancing on the roof of Boston University, a barrage of moral accusations was launched at Ocasio-Cortez. Mainstream as well as social media cried wolf about this “clueless nitwit” who obviously lacked the gravitas required for service as a member of Congress. AOC responded instantly with another video on Twitter and Instagram. The 11-seconds clip was a masterpiece: it shows the outsider in front of her office door in the House, dancing to Edwin Starr’s classic “War (what is it good for?)” and stating, with a wink, “Wait till they find out Congresswomen dance too!” The clip got more than 20 million views in three weeks’ time.
The point made here is: “I won’t be changed by Congress, Congress will be changed by me” – I will continue to do the things others consider transgressive and out-of-place, because that is what change is all about. And in that sense, transgression becomes the very thing she broadcasts: the suggestion that people must get used to someone who doesn’t fit the standard formats. She posted updates saying that House staff keep mistaking her for a spouse or an intern, and when a photoshoot in which she wore a very expensive set of designer clothes was being used by critics to doubt her humble origins and socialist orientation, she simply had to state that the clothes were of course not hers but borrowed from a designer for the photoshoot, and that they were inspired by the vintage look of left-wing radical activist Angela Davis – and the topic was entirely hers. Again, Twitter and Instagram were the main fora for such media-counterterror actions. With stunning visual self-presentations accompanied by concise razor-sharp statements, she dominates debates on these fora.
People are “on message” when the features they display adequately point towards the image they try to convey of themselves. Alexandria Ocasio-Cortez has understood the tremendous affordances of social media for “messaging” and takes political digital culture to yet another level. For rarely has anyone been so spectacularly “on message”. And while she’s in actual fact merely a (very) junior Congresswoman with a lot to prove, she’s risen to be one of the biggest things in the contemporary global political and celebrity worlds – in no time at all. Her maiden speech in the House is the most frequently viewed video ever produced by CSPAN.
Is she punching above her weight? Well, her first real policy proposal – to raise the top tax rate for the very wealthy to 70% – morphed from unspeakable and too-silly-for-words to a prime time national debating topic and opinion poll winner in a matter of weeks. It looks as if the weight categories have been redrawn lately…